Muse driven eclectic items
2021-02-28
2020-06-16
I received word today that I will be receiving the grant to “video art the arts” in Yellowknife until October…
The work will be a “Virtual Street/Art Tour of Yellowknife”
In August of 2007, on the occasion of the first Old Town Ramble & Ride I shot a series of 34 photographs celebrating the event, hand an exhibition of them at the former Robin’s Nest Restaurant, published a 20 page photo catalogue…
In the spirit and celebration of Old Town Ramble and Ride, I’ll build on this concept and shoot a series of short documentations of the arts and artists in Yellowknife, including, but not limited to; the artists, the street art, studios and exhibitions happening over the 2020 Pandemic Summer.
As I usually do as the artist… I shall record and edit the images and sound.
Why?
To document the artistic community’s work over this special summer and help replace the usual venues.
I received word today that I will be receiving the grant to cover the arts in Yellowknife until October… “… NWTArts told me today “… Thank you for your application to the Northwest Territories (NWT) Creative Industries Economic Recovery Fund (CIERF). The CIERF Review Panel has now completed the review of submissions and we are pleased to inform you that your project proposal has been approved.
In the next two weeks a contribution agreement (CA) will be developed for your signature. It is important to note that you will receive two payments for this project. A first payment of 85% of project costs will be issued upon processing the CA, and a final payment of 15% will be provided upon completion of the project and when reporting is provided (before March 31, 2021)….”
Chief Drygease Territory, Yellowknife / Sǫ̀mbak’è, NT 🇨🇦
George Lessard
Mársı | Kinanāskomitin | Thank you | Merci | Hąį’ | Quana | Qujannamiik | Quyanainni | Máhsı | Máhsı | Mahsı̀
108-600 Gitzel St, Yellowknife / Sǫ̀mbak’è, NT 🇨🇦 X1A 2R4
Cell∙SMS∙📱∙FaceTime∙WhatsApp # 01.867.445.9193
Information Curation, Communication & Media / Cure d’information, communication et médias
Member:
Canadian Artists Representation / le Front des artistes canadiens
Profile https://www.carfacontario.ca/Sys/PublicProfile/26148425
Copyright Visual Arts / Droits d’auteur Arts visuels (COVA-DAAV)
http://www.cova-daav.ca
Web http://mediamentor.ca
Mandy Crew Listing
https://crew.mandy.com/ca/crew/profile/george-lessard
Curriculum Vitae:
https://themediamentor.wordpress.com/curriculum-vitea/
2019-04-22
“… As officers with the 🇨🇦 Canada Border Services Agency examined his bag and his phone, he asked what grounds they had for suspecting him.
“They said because I’m an artist,” said Hogan, who was based in Halifax with the navy from 2001 to 2005. “They read it on my file and said that was a trigger, because they don’t believe that artists could even afford to go on vacation, basically.”
Even harder for the officers to believe, he said, was that an artist could take a four-star vacation in the Dominican Republic in March, flying in a premium class…”
https://www.cbc.ca/news/canada/new-brunswick/artist-tim-hogan-detained-cbsa-1.5090973
2018-12-27
“…Ready to enter the Indigenous Arts & Stories competition online? Great! The deadline for entry is March 31. The contest is open to Canadians of Indigenous ancestry (self-identified Status, Non-Status, Inuit and Métis) between the ages of 6 and 29.
You may enter online or by mail…”
http://www.our-story.ca/submit/
“… Indigenous Arts & Stories
Indigenous Arts & Stories (formerly the Canadian Aboriginal Writing and Arts Challenge) was born in 2005 out of the success of Our Story: Aboriginal Voices on Canada’s Past published by Doubleday Canada in which nine leading Indigenous authors from across the country, including Tantoo Cardinal, Tom King and Drew Hayden Taylor, contributed a short fictional story about a defining moment in Indigenous history. The program quickly became the largest and most recognizable creative writing competition in Canada for Indigenous youth.
In 2010, Historica Canada (formerly The Historica-Dominion Institute) announced the expansion of the program into arts, making the competition available to a new audience of Indigenous youth – those who are not writers, but instead express themselves through painting, drawing and photography. We believe that the expanded program gives start to the next generation of both great Indigenous authors and artists. Indigenous Arts & Stories has earned large scale support from the Indigenous arts and literary community, including those that comprise the patrons and advisory committee. More than 3,000 emerging Indigenous writers and artists from every province and territory in Canada have participated in the contest since 2005.
The program is organized by Historica Canada, the largest independent organization devoted to enhancing awareness of Canadian history and citizenship. For more information, visit http://HistoricaCanada.ca. …”
http://www.our-story.ca/about/
“…Prêts pour enregistrer pour Arts et récits autochtones en ligne? Fantastique!
La date limite est le 31 mars. Le concours est ouvert aux Canadiens d’origine autochtone (auto-identifient, inscrit, non inscrit, Inuit ou Métis) et être âgé entre 6 et 29 ans…..”
http://www.notre-histoire.ca/soumettez
“…Arts & récits autochtones (anciennement le Concours de rédaction et d’arts pour autochtones) est né en 2005 du succès de Our Story: Aboriginal Voices on Canada’s Past, publié par DoubleDay Canada.
Dans cet ouvrage, neuf grands auteurs autochtones provenant de partout au pays, dont Tantoo Cardinal, Tom King et Drew Hayden Taylor, ont rédigé une nouvelle sur un épisode déterminant de l’histoire autochtone. Depuis lors, le concours est devenu l’épreuve de rédaction la plus importante et la plus identifiable qui soit destinée à la jeunesse autochtone du Canada. Il a obtenu l’appui à grande échelle des membres des milieux artistiques et littéraires autochtones, dont les membres d’honneur et du comité consultatif. Depuis 2005, plus de 3 000 écrivains et artistes autochtones émergents de tous les territoires et les provinces du Canada ont participé au concours.
En 2010, Historica Canada (anciennement l’Institut Historica-Dominion) a annoncé l’expansion de ce concours. Cette expansion rend le concours accessible à un nouvel auditoire de jeunes Autochtones : ceux qui, au lieu d’écrire, s’expriment par la peinture, par le dessin et par la photographie. Nous croyons que l’enrichissement du concours donne naissance à une nouvelle génération de grands auteurs et de grands artistes autochtones.
Le programme est organisé par Historica Canada, le principal organisme indépendant dont la mission consiste à mieux sensibiliser la population à l’histoire et à la citoyenneté canadiennes. Pour tout complément d’information, veuillez consulter le site à l’adresse HistoricaCanada.ca….”
http://www.notre-histoire.ca/apropos
2017-07-23
On the rabble.ca Facebook page/group
https://www.facebook.com/groups/rabbleca/
Sherri Ingrey https://www.facebook.com/sherri.ingrey
posted the following URL to the rabble.ca page/group
and the image below is what was displayed in Facebook
http://www.cbc.ca/news/canada/nova-scotia/justin-trudeau-nova-scotia-summer-visit-1.4215527
However.. when visiting the URL I found a different story there…
“… Justin Trudeau cooks s’mores on Nova Scotia working vacation
Prime minister visited Shelburne, Port Joli and will attend Liberal party event in Halifax tonight By Jean Laroche, CBC News Posted: Jul 21, 2017 10:36 AM AT Last Updated: Jul 21, 2017 4:25 PM AT…” http://www.cbc.ca/news/canada/nova-scotia/justin-trudeau-nova-scotia-summer-visit-1.4215527
So I commented …
Great photo capture…???? strange it’s not actually the one that appears in the CBC story at the time of this comment… on CBC it’s the one below…
and CBC headline reads “… Justin Trudeau cooks s’mores on Nova Scotia working vacation Prime minister visited Shelburne, Port Joli and will attend Liberal party event in Halifax tonight By Jean Laroche, CBC News Posted: Jul 21, 2017 10:36 AM AT Last Updated: Jul 21, 2017 4:25 PM AT…”
This is not the first time Ive seen a misrepresentation of a URL’s content on Facebook… but usually it’s just commercial click bait…
In this case it seems that it’s posted here as an editorial/commentary/op-ed/opinion piece rather than an accurate representation of the URL…
Not a problem when such #Satire #Opinion #Editorial #Commentary is indicated … #GimmyAClueEh?
NOTE: this #social #political #creative #phenomenon is becoming a very interesting side side of Facebook
George Lessard Of course…
I do enjoy recognizing and celebrating the expert practice of the new medium’s arts ….
Much thanks, Sherri Ingrey!
2017-01-26
“… [Canadian] police can’t stop you from filming them, nor seize your phone, lawyer says – Public ‘absolutely allowed’ to film arrests, so long as they don’t obstruct police – By John Rieti, CBC News Posted: Jan 25, 2017– The man who captured video of Toronto police officers using a stun gun on a pinned suspect “absolutely” had the right to record that footage, a criminal lawyer says.
Police are reviewing officers’ use of force and conduct in connection with the Tuesday morning altercation in downtown Toronto, which Waseem Khan shot on his mobile phone and shared with the media.
Khan has since criticized police officers for threatening to seize his phone and warning him to stay back, telling him the suspect — who had been Tasered twice and was being held on the ground by multiple officers — was going to spit in his face and give him AIDS.
Criminal lawyer Daniel Brown said he believes officers were trying to intimidate Khan, who had a legal right to record what was happening.
Brown said the officers’ actions toward Khan are “just plain wrong.”
“You are absolutely allowed to film police interactions with the public. It is part of our civic duties and responsibilities,” he told CBC Toronto, adding that more people should know their rights.
Brown also said the officers couldn’t have seized Khan’s phone, even if it contained important evidence. As with a store’s surveillance camera, he said, police can’t just take the device — they have to seek permission to collect the evidence. …”
http://www.cbc.ca/news/canada/toronto/recording-police-interactions-1.3952016
2017-01-08
Salvage Movie “… A documentary about salvaging items from the Yellowknife city dump and the community dedicated to this beloved tradition. A film by Amy C. Elliott, in post. Yellowknife http://salvagemovie.com/ filmmakers@salvagemovie.com
“…Salvage is a feature-length documentary about the city dump in Yellowknife, Canada. In Yellowknife, the remote capitol of the Northwest Territories, the town dump is the city’s most popular and notorious manmade attraction, mined by a colorful community of thrifty locals. But the new city administration is determined to see it tamed, and the battle for Yellowknife’s identity is on. …”
On Twitter @SalvageMovie https://twitter.com/SalvageMovie
2016-11-24
Feel the Inukness #BexxStudio #video “… u know u wanna dance; don’t fight the feeling! (made by Becky Qilavvaq / starring Anguti Johnston)…” 230,634 views
Becky Kilabuk
Artist, Throatsinger, Short Filmmaker at BexxStudio
Nunavut, Canada
https://www.linkedin.com/in/becky-kilabuk-a5193135
2015-07-08
This City III – Residency & Social Art Project – YK ARCC, Yellowknife, Northwest Territories, Canada
Deadline: August 1st, 2015
Disciplines: Activism, Art Education, Collaboration, Community, Conceptual Gardening Theory, Crafts & Trades, Curatorial, Design, Experimental, Film & Video
This City III – Residency & Social Art Project – YK ARCC, Yellowknife, Northwest Territories, Canada
, Installation, Media Arts, Music & Sound, Other, Performance, Photography, Printmaking, Sculpture, Visual Arts.
Location: Yellowknife, Northwest Territories, Canada.
Duration: 3 weeks. Programming begins mid-September to early October 2015 (flexible).
Eligibility: Establishing and Professional Artists are welcome to apply.
Costs / Support: There are no costs to the artist except for travel. The artist will be paid for their exhibition, workshop and/or artist talk(s) along with accommodations and a daily stipend. Although travel costs are not covered, YK ARCC will write a support letter for CCA travel grant upon request. Housing and artist studio are provided.
Program Description: In Yellowknife, a city of approximately 20,000 inhabitants, homelessness is undeniably disproportionate and affordable housing options are limited. On the other hand, there is an abundance of unoccupied space in town. These spaces could be used in creative ways to display art and generate dialogue about how space is used in our town. Finding creative solutions is on our agenda.
“This City III” is a project that falls in line with finding creative solutions to our city’s complex, intersectional needs. For its third year running “This City III” continues to address social concern and engage our community through the use of art.
YK ARCC is looking for an artist to take to the streets and explore our city– our community, the locals, our local economies, our spaces, and create a project that offers findings, questions, and/or commentary relevant to our city. We ask that the project take place outside of the white box in order to further the opportunities for community engagement and reinforce the values of the project.
Duties & Responsibilities: The artist is responsible for the research, development and completion of their own project in line with “This City III”, including: one measurable needs assessment, one artist talk, and one workshop (that lends itself to the project at hand) and finally one presentation of the work in form of exhibition/performance/installation/etc.
Applications: Please send anything you find relevant to show your interest areas and previous works to: ykarcc [at] gmail.com. Make sure you include a short text explaining your motivation to come and work on this particular project. Optionally you can include a short description of a project you wish to realize here. CVs are not necessary but accepted. There is no fee to apply. A committee of local artists will look at applications on a rolling basis, so apply as soon as possible.
Application Deadline is August 1st 2015
URL: http://www.ykarcc.ca
The Design and Development of Digital Return Platforms for Northern Indigenous Heritage (PDF)
2017-08-07
Executive Summary
“… Digital return technologies offer Indigenous communities a means of repatriating objects and knowledge gathered from their ancestors as part of earlier colonial endeavors. Many third party institutions such as museums, universities, and government heritage agencies, retain possession of these collections because of the perceived impracticality of returning them to source communities.
The concept of digital repatriation or “digital return” has emerged as a means of rebuilding relationships between source communities and third party institutions through the transfer of knowledge and objects in digital form. In this way, digital return systems, such as online archives, electronic atlases and digital databases, are excellent examples of disruptive technologies.
The idea of disruptive technologies was first popularized by Clayton Christensen in his 1997 book “The Innovator’s Dilemma”. Disruptive technologies are technological innovations that upset networks supporting the existing state of affairs. Digital return acts as a disruptive technology because it disrupts established institutional models for archiving, accessing, and interpreting objects and cultural knowledge.
Paradoxically, digital return also disrupts traditional Indigenous networks that support how objects and cultural knowledge are accessed and circulated by making them freely available on the public Internet . Resolving this paradox requires that we identify and address existing knowledge gaps in both the sociocultural and technological sides of digital return.
A three-part scoping review of Indigenous digital return projects in regions of the North American and European Arctic was undertaken to: a) identify the extent and objectives of academic, government, and community-led digital return projects; b) characterize the digital return methodologies currently used in arctic communities; c) identify the issues and challenges facing digital return projects within the study area; and d) draw attention to heritage initiatives that are grass roots and community led.
The methods used in this study include: a) bibliometric analysis of electronic databases; b) online surveys of digital return projects; and c) a case study of community-led heritage organizations and their projects. …”
PDF http://www.idees-ideas.ca/sites/default/files/sites/default/uploads/general/2016/2016-sshrc-ksg-dawson_0.pdf
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Filed under Aboriginal, Academic, Culture, evironment, Media, Northwest Territories, Nunavik, Nunavut, Yukon Tagged with art, commentary, culture, MUSEUM