“This is what happens when you aren’t taught how to bead.” – Gail Cyr of “…Exceptional Merit…”

Trailer

“This is what happens when you aren’t taught how to bead.” – Gail Cyr
Project Type: Documentary
Runtime: 55 minutes 53 seconds
Completion Date: November 20, 2019
Country of Origin: Canada
Country of Filming: Canada
Language: English

WRPN Women’s International Film Festival – DOCUMENTARY
http://www.wwiff.com/
Yellowknife International film Festival
https://www.ykfilmfest.com/

CREDITS:
Gail Cyr – Writer
Jesse Wheeler – Writer
Ollie Williams – Writer
Gail Cyr – Key Cast – “Gail Cyr”
Jesse Wheeler – Key Cast – “Jesse Wheeler”
Ollie Williams – Key Cast – “Ollie Williams”
George Lessard – Video Artist – Director
Gail Cyr – Producer

More information and details at:
https://filmfreeway.com/Thisiswhathappenswhenyouarenttaughthowtobead-GailCyr

https://naccnt.ca/

‘Local Journalism Initiative’ Vancouver Co-op Radio Job Deadline: Feb 21, 2020

Deadline: Feb 21, 2020 Vancouver 🇨🇦

“…As part of Canada’s new ‘Local Journalism Initiative’ which supports the creation of original civic journalism relevant to the diverse needs of people living in news deserts and areas of news poverty across Canada, we are hiring a full time, professional journalist! The ideal candidate(s) will work for our new morning radio news program featuring voices and perspectives of Vancouver’s Downtown Eastside and Greater Vancouver. […]
We are hiring a full time, professional journalist for our new morning radio news program featuring voices and perspectives of Vancouver’s Downtown Eastside. …”

http://coopradio.org/content/job-postings

@coopradio Vancouver Co-op Radio CFRO
https://www.facebook.com/coopradio/

An Indigenous artist takes a vacation alone — and CBSA holds him, X-rays him for drugs

“… As officers with the 🇨🇦 Canada Border Services Agency examined his bag and his phone, he asked what grounds they had for suspecting him.
“They said because I’m an artist,” said Hogan, who was based in Halifax with the navy from 2001 to 2005. “They read it on my file and said that was a trigger, because they don’t believe that artists could even afford to go on vacation, basically.”
Even harder for the officers to believe, he said, was that an artist could take a four-star vacation in the Dominican Republic in March, flying in a premium class…”
https://www.cbc.ca/news/canada/new-brunswick/artist-tim-hogan-detained-cbsa-1.5090973

“Media and reconciliation” is a Truth and Reconciliation Commission call to journalist’s action

The TRC report urges Canadian journalism programs and media schools to “require education for all students on the history of Aboriginal peoples.”

ITK’s Natan Obed scolds reporters

Prime Minister Justin Trudeau looks on as Natan Obed, President of the ITK, speaks during a press conference in Iqaluit, Nunavut “…Questions moved to the SNC-Lavalin affair, which has been dominating the news cycle in Ottawa for the last month. The shift in focus, away from human rights abuses experienced by Inuit, prompted Obed to scold reporters and remind media of its role in reconciliation.
Full transcript of his comments below:
“I think something that the media should reflect on is that throughout all of this, there has always been more important stories. And the stories of human rights abuses to Inuit. Every time there is something that happens, such as an apology today, there are other stories in the world.
But the fact that media passed right by the people whose human rights abuses were not told by the media for decades to other stories of the day is still a reflection on the work that needs to happen in reconciliation. The Inuit who were apologized today matter. This story matters. It is a Canadian story.
And I recognize that there are other media stories that matter as well. But I do hope in the future there can be more respect given to the place and time and the people who deserve to have their story told. And the media have a strong role to play to tell it.”
Obed is president of Inuit Tapiriit Kanatami, a national non-profit organization that represents 53 communities in the north.
“Media and reconciliation” is a subsection in the Truth and Reconciliation Commission’s calls to action. The TRC report urges Canadian journalism programs and media schools to “require education for all students on the history of Aboriginal peoples.”….”
https://www.huffingtonpost.ca/2019/03/08/natan-obed-media-snc-lavalin_a_23688192/

The Design and Development of Digital Return Platforms for Northern Indigenous Heritage (PDF)

Digital Return Platforms for Northern Indigenous Heritage screan-cap_1062

Executive Summary

“… Digital return technologies offer Indigenous communities a means of repatriating objects and knowledge gathered from their ancestors as part of earlier colonial endeavors. Many third party institutions such as museums, universities, and government heritage agencies, retain possession of these collections because of the perceived impracticality of returning them to source communities.
The concept of digital repatriation or “digital return” has emerged as a means of rebuilding relationships between source communities and third party institutions through the transfer of knowledge and objects in digital form. In this way, digital return systems, such as online archives, electronic atlases and digital databases, are excellent examples of disruptive technologies.
The idea of disruptive technologies was first popularized by Clayton Christensen in his 1997 book “The Innovator’s Dilemma”. Disruptive technologies are technological innovations that upset networks supporting the existing state of affairs. Digital return acts as a disruptive technology because it disrupts established institutional models for archiving, accessing, and interpreting objects and cultural knowledge.
Paradoxically, digital return also disrupts traditional Indigenous networks that support how objects and cultural knowledge are accessed and circulated by making them freely available on the public Internet . Resolving this paradox requires that we identify and address existing knowledge gaps in both the sociocultural and technological sides of digital return.
A three-part scoping review of Indigenous digital return projects in regions of the North American and European Arctic was undertaken to: a) identify the extent and objectives of academic, government, and community-led digital return projects; b) characterize the digital return methodologies currently used in arctic communities; c) identify the issues and challenges facing digital return projects within the study area; and d) draw attention to heritage initiatives that are grass roots and community led.
The methods used in this study include: a) bibliometric analysis of electronic databases; b) online surveys of digital return projects; and c) a case study of community-led heritage organizations and their projects. …”
PDF http://www.idees-ideas.ca/sites/default/files/sites/default/uploads/general/2016/2016-sshrc-ksg-dawson_0.pdf

Read Un/Covering the North: News, Media & Aboriginal People

@melindatrochu Read Un/Covering the North: News, Media & Aboriginal People http://ow.ly/IB9D307e8R4 #ValerieAlia #FB http://ow.ly/ENyP307e8SA

9780774807074-us

NWT’s The Sun at Midnight actor wins award

Yellowknife's Kirsten Carthew on the set of The Sun at Midnight, a Canadian film which she directed, wrote, and produced. (submitted)

Yellowknife’s Kirsten Carthew on the set of The Sun at Midnight, a Canadian film which she directed, wrote, and produced. (submitted)

“… The first full-length feature film shot in the N.W.T. is quickly becoming a celebrated selection at some major Canadian film festivals.
Mohawk-actor Kawennárhere Devery Jacobs won the award for best performance in a Canadian film at the Whistler Film Festival on Sunday for her performance in The Sun at Midnight.
“I’m just filled with gratitude,” said Jacobs in an interview Tuesday. “I had no expectations going to shoot it in the Northwest Territories. We just went to film this ultra low-budget project, and it was such a passion project that I really hold dear to my heart.” […]
It’s the first acting award Jacobs has received, and she credits Carthew’s talent for the win.
“It’s all because of our writer-director [#Yellowknife’s] Kirsten Carthew. Her writing, if you look at the film, there really isn’t a lot of plot-driven stories, so it really rests on the shoulders of myself and [co-star] Duane Howard to carry the film, which I haven’t’ had the opportunity to do in past projects.” […]
The Whistler Film Festival marks the film’s second screening outside the N.W.T.
The Sun at Midnight also screened at imagineNATIVE in October, complete with a standing ovation from the audience.…”
http://www.cbc.ca/news/canada/north/sun-at-midnight-performance-award-1.3884105

Becky Qilavvaq’s “Feel the Inukness” 230,634 hit #video “… u know u wanna dance; don’t fight the feeling!…”

feel-the-inukness

Feel the Inukness #BexxStudio #video “… u know u wanna dance; don’t fight the feeling! (made by Becky Qilavvaq / starring Anguti Johnston)…” 230,634 views

 

Becky Kilabuk
Artist, Throatsinger, Short Filmmaker at BexxStudio
Nunavut, Canada
https://www.linkedin.com/in/becky-kilabuk-a5193135

“Everyone is waking up”: Tanya Tagaq on fighting for justice and singing for Björk

“….Protest music has found an avant-garde champion in the formidable grunts and howls of Inuk throat singer Tanya Tagaq. April Clare Welsh finds out how the First Nations activist and Björk collaborator is using her platform to shine a light on Canada’s dark history […]Tagaq believes that online activism like the virtual mob that flocked to Standing Rock has become “absolutely crucial” in the global fight for Indigenous rights. “Indigenous people have been fighting for the planet for a very, very long time,” she says, “but everyone is waking up to it now. You see these elders engaging in peaceful protests and getting pepper-sprayed by billionaire companies that just want more money – in 2016 that’s just unacceptable. Too many people are awake to accept that behaviour.”[…] Tagaq herself is a survivor of Canada’s notorious Residential School System, a forced assimilation programme which operated from the late 19th century right until 1996, taking Indigenous children away from their communities and placing them in boarding schools around the country. Around 6,000 students died during the residential schools’ existence, and sexual and physical abuse was endemic – though Tagaq emphasises that she doesn’t carry personal pain from her time at high school: “I wouldn’t want to take anything away from the people who suffered the massive indignities themselves.”….”
Tanya Tagaq – Retribution

Tanya Tagaq “Uja” and “Umingmak” (live) — Polaris Music Prize 2014

ENCOURAGING ABORIGINAL VOICES AND ISSUES IN THE MEDIA

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The CJF Aboriginal Journalism Fellowships offer two Aboriginal journalists with one to 10 years of experience the chance to explore issues of interest to First Nations, Métis or Inuit peoples. The award aims to foster better comprehension of Aboriginal issues in Canada’s major media and community outlets.
DEADLINE: FEBRUARY 19, 2016
http://cjf-fjc.ca/awards/aboriginal_fellowship
Please take a look at the award details
before submitting your application.
http://www.cjf-fjc.ca/cjf_awards/?category=aboriginalform

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